October 2021

Moving Pictures

Matthew Sontheimer

October 1st 7:00-10:00 PM

DJ Ol Moanin’

Closing Date: October 30th

Tugboat Gallery Proudly Presents “Moving Pictures” featuring Matthew Sontheimer.

“Moving Pictures” is an evolving site specific installation that uses hyperlinks that the artist has visited and bookmarked online since arriving in Lincoln a decade ago. The hyperlinks are printed on blue vinyl and applied to the wall; each of Tugboat’s 3 rooms will be treated differently.

Matthew Sontheimer – “The pieces in this show are all titled, Moving Pictures. They are all made on a computer and then printed onto commercial vinyl that is applied directly to the wall. The information composing the body of the work are all hyperlinks to websites I have visited and bookmarked online since arriving in Lincoln a decade ago.

The first time a version of this piece was exhibited was in 2015. This is the sixth gallery space I have shown a variation of this work. Because this piece is site specific, it is never formatted or scaled quite the same. Normally the work is a singular installation using the entire list of hyperlinks. This exhibition presents four independent works that each use the complete list of hyperlinks.

I see Traveling Without Moving as a collection, a library, a diary, a travel log, a research and teaching tool, a shopping list, and as a form of self-portrait. The individual links run the gamut in terms of subject. There are singular images of paintings, drawings, and prints. Photographs of works of sculpture, architecture, figures, and film clips. There are links to Museums spanning the globe, all manner of imagery from throughout art history, popular culture, books, music, essays, poems, links to online clothing stores, places to purchase artmaking materials, sites explaining how to work in various media, and favorite recordings of music.

Like much of my work, this piece involves text, the subject is to a great extent about how it is made, and there is an element of absurdity to the content. The piece can be read as mass as a block of coded information, or you can type a hyperlink into your cell phone and view the content in a singular manner—uncoded, intimate, and scaled and framed by the size of the screen on your phone.

One installation addresses all four corners of a room, hyperlinks presenting blocks of the text that are formatted to look mimic conventionally scaled pictures—8 ½ x 11 inches, 8 ½ x 14 inches, and 11 x 17 inches, and another presentation of the text that is installed on centered on a singular wall in the room. Many of the links in the list still function, some do not, and some may not work by the end of the exhibition. The various iterations of these formatted, printed and applied list of bookmarked links represent information gathered and shown in previous installations, and newer links that have been added over the years. The collating of information in this work keeps growing and is ongoing.

The final formatting, printing, and installing of the work would not be possible without the tireless work of the artist Jon Love. Jon has helped me digitally format the information composing this work, and physically install the work in each space it has been presented—from the outset. I cannot thank him enough for his great patience, ingenuity, and friendship.

September 2021

Pleasure Ledger

Alexandra Borovski

September 3rd 7:00-10:00 PM

DJ Ol Moanin’

Closing Date: September 25th

Tugboat Gallery is proud to present a collection of 50 recent drawings by multimedia artist Alexandra Borovski. Influenced by soviet modernism, science fiction and folk art, “Pleasure Ledger” draws together musings on intimacy, material transformation, and the passage of time. The works in the exhibition, made with ink on aged paper, range in scale from 8 x 6 inch renderings to 11ft panoramas.

“Pleasure Ledger” opens First Friday September 3rd from 7-10 with DJ ol moanin, and closes on September 25th.

Alexandra Borovski (she/her) is a Moldovan born Brooklyn based artist hailing from Omaha, Nebraska. She earned her BFA from the University of Nebraska, Lincoln and an MFA from Tufts University (School of the Museum of Fine Art), Boston. Her work has been shown at the ICA Boston, Boston Center for the Arts and numerous group shows nationally.

Tugboat Gallery is located at 116 N. 14th Street, Lincoln, NE – second story above Gomez Art Supply. Elevator entrance at 1410 ‘O’ Street. Questions answered by Gomez Art Supply at 402-477-6200.
Larry Buller

August 2021

GRAND RE-OPENING!!!!!!

fetish

LARRY BULLER and PLACK BLAGUE

August 6th 7:00-10:00 PM

DJ Ol Moanin’

Closing Date: August 28th

Tugboat Gallery Proudly Presents “fetish” WE ARE BACK!!! “FETISH” explodes back onto the Lincoln Art Scene. Are you ready for floral decals, fake fur, leather, gemstones, polaroids and references to Asian funerary altars? Then we have what you want. “FETISH” celebrates the rich diversity within the gay-culture and the manner in which gay men seek to find community and thrive in the face of persistant homophobia.

Tugboat Gallery is back after being closed for 17 months.

Plack Blague aka Raws Schlesinger is a multimedia transgressive fetish and leather artist and musician based out of Lincoln, Nebraska. With a focus on cruising, posturing and self examination, Plack Blague exhibits arousal with sexual attitude and homoerotic confidence. He’s just another man on the street…. Plack Blague will be showing a collection of photographs, screen prints, and polaroids!

Larry Buller::Queer voices are often ignored, marginalized or distorted by the dominate culture. I find agency in creating ceramic work which at once challenges these narratives and probes the viewer to question previously held beliefs about the nature of sexual identity, masculinity and fetish objects. Towards that end, I draw upon the humble medium of clay for my admittedly subversive intentions. Ceramics, with its rich historical language and domestic connotations, offers one endless freedom for creative expression. I find inspiration in “high-brow” ceramics typically found in museum collections as well as “low-brow” tchotchkes encountered at thrift stores. My work is a blending of both and seeks to question what might be considered to be in “good taste.” I create plaster molds of fetish objects which are then slip cast into multiples, glazed and embellished with floral decals, gold luster, fur, and fake gemstones. When complete, they resemble showy domestic tableware. Displaying these objects in public bring them “out of the closet” thereby demystifying their use and celebrating their beauty and implied function.

I also create work that focusses on the manner in which gay men self-identify and classify themselves into categories in online hookup sites and/or adopt a persona. These distinctions often revolve around sexual preferences and one’s penchant for top, bottom or in some cases one’s versatility. These predilections are often communicated digitally through the use of emojis such as the peach (bottom) and the eggplant (top). I appropriate the emoji symbol and create ceramic forms that take inspiration from historic examples found in Asian funerary altars. Elaborate compotes hold these peaches and eggplants and become ostentatious centerpieces. To most casual observers these pieces may first appear purely decorative but gay men will immediately understand the double meaning.

My figurines speak to the manner in which some gay men identify with sub-cultures within the gay community. These men may adopt personas such as leather sirs, daddies, puppies, drag queens or otters to name a few. These “china cabinet ready” figurines are of diminutive domestic scale and meant to celebrate the rich diversity within the gay sub-culture and the manner in which gay men seek to find community.

My ceramic work celebrates sexuality, fetish objects and the vast diversity in the manner gay men choose to express their identify and thrive in the face of persistent homophobia.

Plack Blague
Plack Blague
plack blague
Plack Blague
Larry-Buller
Larry Buller
Larry Buller
Larry Buller
Larry Buller